I formally studied music at Royal Holloway and then went on to specialise in composition at the Royal Academy of Music, London. Alongside my degree studies, I participated on various development programmes for emerging composers, which included the LSO Discovery Panufnik Composers Scheme.
In 2019 my debut album of music, Electric Scent, was released under the New England based label Ravello Records. In September 2020, Within the Flames, my work for scordatura violin and electronics, was digitally released.
Why music? Why be a composer and performer?
My interest in music was self-cultivated from an early age and expressed itself in different ways; now playing several instruments.
Performing and composing have become interconnected for me. I often start a piece by thinking about the performance narrative, its potential dramatic effect. Quite a few my compositions start off from my own improvisations on different instruments. Performing music has inspired me to say use sounds from found objects combined with instruments and create a performance choreography within a piece. Through my saxophone playing in particular, I developed an interest in sound transformation using effect pedals and loopstations, from that I started to compose electroacoustic music, which has become something I really enjoy doing.
How would you describe your music?
My music is a curiosity cabinet; embracing different sounds, subjects and forms of inspiration.